Les Cahiers du Collège International de la Photographie, n°01
The Cahiers du Collège International de Photographie (CIP) implement a practical approach to photography, on the fringes of the academic and professional worlds. This first issue aims to weave together, across all parts of the photographic ecosystem, an ongoing reflection on the crisis of sensitivity that is sweeping through our societies. What becomes of photography in such a context? One avenue is explored by following what has emerged over the last decade as an unprecedented phenomenon of “reinvention”.
This first issue of Cahiers du CIP opens with an essay by Michel Poivert devoted to “analogue culture” and a presentation of the NEO-ANALOG exhibition-manifesto, conceived jointly by curators Évelyne Cohen and Michel Poivert. It continues with reflections by gallery owner Thierry Bigaignon and collector Patrice Galiana. The issue also looks back at the workshop organised by Cyrille Weiner with William Basseux at the École nationale supérieure des beaux-arts (ENSBA) on the theme of attention, and presents the results of Valia Russo's experiments with artificial intelligence on ‘monuments of photography’. It also features an urban exploration workshop undertaken in the home of inventor Daguerre with students from the Duperré School, and an unpublished story by novelist Hélène Gaudy, inspired by the archives of a scientific mission to Svalbard. This first issue is enriched by a Proust questionnaire completed by members of the Association of Professional Photographers (Guillaume Geneste, Jean-François Bessol, Bati, Camille Loubeyre and Diamantino Quintas). An exceptional carte blanche by Hideyuki Ishibashi closes the issue: in the form of a separate print, an unpublished work, the result of experiments carried out under the light of the full moon in Sweden, where the echoes of Strindberg's celestographies resonate.
Les presses du réel, 2025
Text in French
Soft Cover
32 × 24 × 1 cm
96 pages
ISBN : 978-2-488689-00-7
Les Cahiers du Collège International de la Photographie, n°01
The Cahiers du Collège International de Photographie (CIP) implement a practical approach to photography, on the fringes of the academic and professional worlds. This first issue aims to weave together, across all parts of the photographic ecosystem, an ongoing reflection on the crisis of sensitivity that is sweeping through our societies. What becomes of photography in such a context? One avenue is explored by following what has emerged over the last decade as an unprecedented phenomenon of “reinvention”.
This first issue of Cahiers du CIP opens with an essay by Michel Poivert devoted to “analogue culture” and a presentation of the NEO-ANALOG exhibition-manifesto, conceived jointly by curators Évelyne Cohen and Michel Poivert. It continues with reflections by gallery owner Thierry Bigaignon and collector Patrice Galiana. The issue also looks back at the workshop organised by Cyrille Weiner with William Basseux at the École nationale supérieure des beaux-arts (ENSBA) on the theme of attention, and presents the results of Valia Russo's experiments with artificial intelligence on ‘monuments of photography’. It also features an urban exploration workshop undertaken in the home of inventor Daguerre with students from the Duperré School, and an unpublished story by novelist Hélène Gaudy, inspired by the archives of a scientific mission to Svalbard. This first issue is enriched by a Proust questionnaire completed by members of the Association of Professional Photographers (Guillaume Geneste, Jean-François Bessol, Bati, Camille Loubeyre and Diamantino Quintas). An exceptional carte blanche by Hideyuki Ishibashi closes the issue: in the form of a separate print, an unpublished work, the result of experiments carried out under the light of the full moon in Sweden, where the echoes of Strindberg's celestographies resonate.
Les presses du réel, 2025
Text in French
Soft Cover
32 × 24 × 1 cm
96 pages
ISBN : 978-2-488689-00-7
